the mysterious re (richard e of solar apple quarktette) strikes again with this killer 4 track ep: bobby hutchersons >hello to the wind<, a vocaljazz cut, d angelos >left & right< , missy elliots >4 my people< with some dope piano bits, and dimenzionis >bamba< a space jazz fave. two big thumbs up

shafunkers are the manchester based production duo alex mcculloch and austin moore. after a random meeting at salford university in 1997, they quickly realised a shared passion for music production and they began their musical partnership by creating drum n bass and breakbeat tunes under the guise of sinewave. both classically trained musicians with influences ranging from jazz to the beatles, the duos mutual love of dance music eventually led to them to start producing house music together. tick tock is no exception to their remarkable quality, in fact alex has described it as some of their hottest work to date. a catchy, melodic hook floats effortlessly over quirky electronic percussion. remixed by danny freakazoid and ben hoo.

soulab&#146, allows true talents to meet and bring a musical breath of fresh air into the soul nation, with a full sound spectrum of good grooves: soul, house, jazz, nu soul, broken beat, doo wop, afro beat, latin, funk&#133,thats modern soul music...with soul. souls back ! don&#146,t pass on this one !!

ultraphat deep phunkin space disco groover

french’,s prime deephouse / nu jazz-dj / producer, global groove activist and tubetracks records head honcho, minimoogli follows up his nu-afrobeat production >a funk for fela< with another dope tune. 99.9 percent’, features sophia nelson (ghana voice), herve meschinet (burning sax). remixes are contributed by the top notch alix alvarez (sole channel n.y.), bradka (lithuanian weapon from vilnius) & one of france’,s finest house-music-artists lanoiraude.

if you like electronic music and youve lived in paris for the last 15 years, theres no way you dont know that man. djulz start playing the very firstparis raves back in 1992. since that time he never stoped running to make things happen in his hometown. hes also the oldest resident of rex club with his party bass culture. today djulz is releasing more and more great music after having produced eps and remixes for label such as music for freaks, paper recordings, 20:20 vision, poker flat, ovum, real tone or intacto, djulz is releasing, fleurette, his new 12inch on circus company. fleurette is a sweet, naïve and housy track. the track is build up over a piano loop which leeds us to some children vocals. all that is surrounded by a strong and precussive rythmic stuffed with a beautifull ride. its defeinitively the kind of track which gives you the power to stick a smile on everybodies face. on b side comes the fleurette tobias. remix. for sure you know the man behind mythical releases on logistic records and more recently wagon repair. hes also behind the electronic jazz combo called nsi. which just give name to his own label. an emblematic character of the scene who collaborates with artist like atom heart, dandy jack or max loderbauer in the past 20 years. supported by dixon, jay haze, Âme, luciano, laurent garnier, 2000 & one, josh wink and dj deep.

the very first and long awaited album by the bavarian pirate soul kings 7 samurai! >el mundo nuevo< features unreleased tracks and outstanding remixes by 7 samurai, such as their mix for jorge ben, mo horizons, dining room and others. a great mixture of soul, latin, brasil, jazz, swing, reggae, dub, dancehall and hip hop? and a true bomb for the summer! dj support comes from mr.scruff, nik weston, quantic, dj e.a.s.e. (nightmares on wax), mad mats, red astaire, michael ruetten, dom servini, karl injex etc..

nice price deal !!! new release from vinyljam is a authentic 70es jazz-rock sound. like always it is an aaa record, fully analogue recorded and mastered at the best authentic equipment. strong nostalgic feeling, as always romantic and unexpected mixture of styles - two tracks, two stories. prerelease for an upcoming albume kino . something unordinary!

nice price deal !!! nother pounding hybrid set of low-end killers here from hot-flush, kicking off with the tumbling rhythms and wobbling sublow of ?deep under? - its a track that teeters on the brink of breaks science throughout, keeping itself wrapped up in a relentless bass envelope despite the distractions brought on by constantly evolving skitters - mighty stuff. the rhodes-inflected breaks and bass clash of ?sparkle? offers time for reflection on the flip, borrowing a melodic underlay from some abandoned, dusty jazz-club somewhere strange, tugging you back underground with its careful arrangement if frequencies at the lowest end of the spectrum. righteous

darkos productions have attracted the attention of djs from all over the world. his remix of the title track of nina mirandas (smoke city) album shrift in 2005 was one example, earning him critical acclaim when the remix reached the top 10 in the us download charts. more recently mr rakas has joined darko and his strange worlds collective. together they have embarked on a musical mission, blending deep minimal house and techno with eastern european romani gypsy jazz. simplicity is the operative word best to describe this release. the over sexed sax solo of sexaphone (a one take wonder performed by ben hadwen) takes house music to a new level, whilst danote on the other hand reflects on the hypnotic repetition of the hook, building a solid groove around a repeating synth line, appearing here in two versions, the stripped back extended mix and the more immediate club edit. another great release from the up, coming and one to watch label universal vibes.

supported by: mark henning (soma), anthony collins (freak n chic), james priestley, sian (karmarouge), ptoile, daniela stickrofth , luciano esse (kailash), gavin herlihy (mood music) xpansul (minus),.. the sonotheque project was created at the end of 2005 by two producers david campanini and alexi dendias.they managed to create tracks with an experimental, obscure, sexy and spiritual feeling, remaining on that hype wave which is changing the fertile ground of techno and house. their style is a blend of digital and analogue sounds, groovy rythms and carefully researched melodies , with an aftertaste of jazz and funk….

it is a task that detroit native aaron-carl has done consistently since 1996. as one of detroits most in-demand producers, his signature sound crosses genres -- from soulful, gospel-infused house, to the dirtiest ghettotech anthems. aaron-carl is hailed as a powerhouse in detroits electronic music scene. with a discography to die for, he has remixed some of the motor citys biggest names – underground resistance, scan 7, aux 88 & kelli hand, as well as international artists like chicago house legend dajae, icelandic techno stars gus gus, and african jazz great manu dibango, to name a few. as a vocalist, aaron-carl showcases a broad range. from the haunting chill of >crucified< and >sky< to the seductive whispers of >down< and >21 positions<, to soul-stirring shouts of >alright< and >my house< ac prides himself in not just making records, but classics. his >let me tell you something about house music< acapella (appropriately titled >the word<) is one of todays most sampled house vocals, while >down< is still a staple in the clubs – for more than a decade after its release.

slap - one of the most obscure and forward thinking acts from the early 80s meets the spearhead of today’s electronic music, ricardo villalobos. the originals are disturbingly brilliant electronic excursions, while villalobos’ jazz-fueled rework is one of the deepest mixes he has ever done. vivid drums are built around a driving bassline, aiming the track right at the floor. not to mention the rough claps! imagine miles davis’ “bitches brew” joined by throbbing gristle, playing “minimal techno” live. earlier this year macro unearthed namlook’s long lost “subharmonic atoms” featuring outstanding pépé bradock remixes. this continuation of the “prototypes” series is none less of a dream team. slap’s experimentalism just seems to be the right inspiration for ricardo villalobos, who takes it to a level of weirdness only he can achieve while retaining such danceability. essential!

selten lagen treffsicherer clubwumms, die essenzen aus dem swing des jazz und musikalischer anspruch so nah beieinander, dass sich die nächtliche gemeinde komplett darauf einigen kann. kopfmusik für die beine mit der glückseligkeit nicht verkopft zu sein. support by: richie hawtin, mathias kaden, laurent garnier, wighnomy brothers, krause duo , troy pierce, tim xavier, monika kruse

there is certainly not enough space to tell you all the great things about move d we would love to share with you. being the musical mind behind the legendary source records imprint, david moufang has always been a versatile and prolific character. from ambient soundscapes to krautrocky epics, jazz sensibilities or straight up techno and house, he has done it all with his own special and unique touch. this lovely fingerprint is spread all over the “cube ep . intended as a tribute to heidelberg’s finest club night of the same name (don’t mix it up with that other square project!) , move d shots two arrows straight into your heart. “cube” is one of those stripped down hypnotic affairs that seem to go on forever and ever just to surprise you with a nice breakdown, before it’s groove sucks you in again. we guess this is what people mean, if they talk about the beauty of simplicity. “heidelberg gals” flips the script in three parts with an old school approach and turns into a monolithic house monster with a bassline to boot. panache! bust a move d!

2 huuge 70s future jazz/soul classics!!!

2006 classic feat house diva michelle weeks!! excellent jazz n groove mixes (brian tappert/marc pomeroy)!!

collection of three remixes by dan x - one half of no assembly firm. meaty, bumping chicago house with swing jazz samples.

jt delivers two classic deep house remixes here. one main mix that will be prefect for the deep crowd, as well as one beautiful stripped down mix. both mixes feature saxophonist joe cohen of jazz mafia (sf) and the record also includes a matthew bandy remix!!

d. diggler aka andreas mügge is back ! this time not on planet vision but on pascals new label: level non zero. blessed with a father who is a jazz musician, andreas started to play the drums at the tender age of twelve, and joined his father in his jazz combo. soon he realized that his future is not to play in a band but to make his musical ideas become reality through the necessary midi equipment. his first release for raum...musik boogiemonster hit several dj charts, club charts and was played in heavy rotation on hr 3 xxl. so did the following releases. d.diggler s first album was released in april 2000 on cd and vinyl, its sound range varying from deep to technoid-slamming. since then he can look back on 45 releases and 20 remixes and is a dj + liveact who playes in the first league. on level non zero he shows us with three new traxs his variety: from „hypno-techno“ (drehmoment), over deep tech-house (deepdown), to dub-house (control). we remember the old raum...musik times...

joshua heath back on dae recordings a nice jackin 3 tracker with a lot of funk, deep grooves, great samples and a touch of jazz includes a jason merle remix for jack me to sleep

another fine deep techy house ep!!

huge third release on thc played by laurent garnier, jeff samuel, dave dk, matzak, patrick bateman, nhar and many more three original and beautiful tracks built for the dancefloor. bvoice & khz feel comfortable in a wide spectrum of music and so their productions vary from deep and minimal glitchy jazz to modern tech-sound and minimal techno and even an orient touch

entertainment is a duo. im a cliché is proud to release their very first e.p on september 29th. juan de guillebon is the bass player. he studied a lot jaco pastorius, but decided not to spend the rest of his life playing in jazz rock combos. you can easily guess his attraction to no wave bands (suicide or james chance), krautrock (his faves are cluster), or ebm and early electro (daf). alongside, hes part of the ectoplasmic band, performing as backing band for tigersushis boss joakim. antoine montgaudon plays the guitar, and we bet he would have fit perfectly in any brian enos late 70s recording. he builds endless psychedelic atmospheres with feedbacks, loops and fxs. all this only with his guitar. hes also part of my sister klaus, a project released on tigersushi (again).

the label boss returns to his own yore imprint with another stunning solo release. these are different times indeed for andy vaz if the eps three mighty jams are indicative of where his musics heading. the a-sides over here (a glance over prime time mix) roars from the very first moment vaz unleashes its steaming, latin-tinged groove. a far cry from the techno the yore label head once issued, the tune finds vaz exploring straight up dancefloor territory with a dizzying house pulse that straight up rocks. melodies and voices rise to the surface of the dionysian broil and then just as quickly recede, leaving room for a driving bass line to gain the spotlight. the flips hurry hurry (before its too late mix) is classic deep house just as one expects on yore. a jazz-inflected strut with tilman ehrhorns sax playing, wailing over waves of rollicking piano playing and spirited vocal chants. the energy level doesnt flag for the discs final track, bygone times (nostalgia mix), which stokes a fiery house swing with its locomotive pulse, futuristic synth patterning, and high-velocity bass lines. vazs music has never sounded more impassioned and energized than it does in these three tracks and consequently, just as one might predict, different times feels like its over far too soon

played by tim sweeney, only fools & horses, guillaume coutu dumont, sebo k, shit robot, mock & toof, fabrizio mammarella, toby tobias, willie graff dflex is the project from house music aficionado & x-press 2 member diesel & restless soul producer felix hopkins. both have been involved in electronic music long enough to understand the finer points of whats needed to create something of substance and with dflex they have formed a platform to explore their love of house music, techno & jazz. here we have their debut single, waltz, remixed by two very talented producers, switzerlands kawabata (a.k.a. lexx) & us producer dave aju. both offer outstanding offerings for those who like it deep..

its house but not as we know it! young david, aka dave young, chose his artist name as a reminder of what it said on his office door before he took some time out in the summer of 2006. swapping the office for what an estate agent might describe as a cosy basement studio in stockholm, he now sits around making beats all day the fuji ep is musical adventure. bridging the gap between soulful and minimal and blending crunchy mid-tempo party beats with intoxicating two-tone, jazz and dub flavours. equally at home on the dance floor, ipod or lounge stereo, the tracks have a sense of space and depth and, above all, a real musicality which comes not (only) from the pushing of a few buttons, but from a lifelong quest

kindisch is now eighteen releases old, and its mission - to uncover new talent, and to provide a platform for producers to evolve and experiment - is more passionate than ever. this time, the reins are handed to sascha braemer, aka hirtenfellner, and philip bader, who build on the promise of their releases on sup dub and get physical. >mamba drums< is, as its name suggests, a percussive, latin-tinged affair, with sweeping builds and heavy drops, layer upon layer of locomotive percussion and a skeletal four-note vamp designed to whip the listener into a state of frenzy (and sure to be successful in this aim!). a male vocal sample pervades on >thrill<, this time more gruff, more laconic, and edited so that the words become another percussive element rather than carriers of meaning. deep whirlpools of delay open up below a surface drift of jazz-tinged chords, from a minimalist sound palette bader and braemer paint a vastly evocative, effusive picture that will transport the listener, or dancefloor, to a strange and addictive place. >put your arms around me<, implores the soul-infused vocal sample on b >around<, over a yawning vista of synth chords bridged with sibiliant snares and subtle but earth-moving edits that leave no doubt as to braemer and baders mastery of dancefloor dynamics.

osbornes ruling came out on influential us label spectral sound earlier this year, and has been racking up some fantastic support already. an emotive piece of lush deep house, ruling is an unashamed throwback to the early halcyon days of chicago and new york house music. a perfect slice of deepness for the warmer months...shur i kan is becoming ever present on the nrk roster of late, hes one of our favourite brit producer/remixers, and he stays faithfull to the original mix of ruling here but drags it onto the dancefloor somewhat with some stronger beats and heavier bottom end. king britt, meanwhile, opts for a heady, darker pounding drum remix, with spacious chords and freeform jazz flicked riffs. a little scubambient mix is also included here...

tom ellis, the king of bouncey bounce house music (released on labels like floppy funk, minibar or musique risquee), with his first ep on cologne s hartchef discos imprint. from extra dry funk to chicago house, from jazz samples to techno

famous for their releases at moon harbour recordings, luna city express presents a really tough techhouse-release. a classic feeling combined with modern sample arts and scruffy piano riffs. the only question is: dancing on clouds? yes, take this

while on a months hiatus in the australian countryside jaymz nylon began recording the dirty wonderland ep stretching his afrotech sound into a more experimental jazz territory a direction that would make herbie hancocks 1970s band head hunters very proud...dirty wonderland ep is filled with 4 gems that will leave a lasting desire for the ears, heart and your dancing feet.

koyla, mastermind of russian composer and producer nickolai serbryakov, rips into the electronic scene with his slickly produced acid jazz style sound. the 25 year old producer from st. petersburg drops his first single on bombay&#146,s subdivision manali records &#147,bowel&#148,, a solid deep soulful disco groove. the b side is an in house mix that brings us into a late night bumping funky direction with ambient tripped out textures and hard detroit style chords. koyla and dj primat are true musicians and deserve the fullest respect in this genre, stay tuned for these boys with singles and albums to follow.

1995 classic in a digitally remastered 2007 version!!

excellent funky prime time house... comes with mixes by shadow company & jazz n groove (brian tappert & marc pomeroy)... just a classic

taxis >original mix< is a jerky, broken beats groove that suits binghams smoky jazz-soul vocal just fine, but its yass that brings things firmly back to house with a brace of bumping mixes

we are pleased to welcome dubnoodles whose previous releases on milnor modern and rundlauf musik certainly grabbed our attention. on this ocassion, dubnoodles shows two different sides of his music: the a side is funky as hell. both tracks show highly elaborated grooves with a very pleasant shuffly jazz feel. a must for adepts of frank martiniq, akufen, treplec.., and for those who enjoy playful forward thinking grooves. the b side really gives us the shivering. it unravels extremely emotional melodies, powerful strings and intense crescendos. fans of dial and neo detroit will appreciate. all three tracks are a real blessing. as usual, we tried to pack as much amazing music as possible in this release. enjoy!

soulful future jazz, produced by waajeed

rip, rig & paniq is the second chapter of a 4 singles serie introducing a more groovy aspect of radiq s music. tracks produced in the spirit of his >graffiti & rude boy 67< album but thought for the dancefloor this time. the 4 tracks on this ep present the highest quality production full of jazz and funk influences. rip, rig & paniq is all about radiq s subtility to mix electronic and acoustic sound

played by: karotte, mathias kaden, sebo k, stefan goldmann... franklins early musical roots began with a taiwan drumset and a hohner organ. after some training years under the influence of metal, jazz, 70sprog/rock and live perfomances as a versatile drummer his transition to electronic music began with an amiga 500 computer. the trackermusic of this machine lead him to the early techno music of the 90s and early production experiments in his fathers home studio. first releases followed in 1995 to 96 on the label fusion records (w/ 303 nation member, patrick vauillaume). later he released as tichy on various frankfurt techno labels until at the end of the 90s his search for inspiration brought him to a very experimental production phase without the 4 to the floor presetting. from this he developed his distinctive trademark sound with straight grooves and frisky sound design. meanwhile franklin was gaining more international recognition with releases on well-known labels such as trapez ltd, karmarouge noir, einmaleins musik and treibstoff. his singles entered the charts of the german groove magazine, german dance charts and the charts of djs worldwide. after his last release on resopal red he is coming up with his debut on leena music.

essential tech-house interpretation of the jazz standard! tip ! at the core of >take five< is a warm, fluttering piano loop that wouldnt sound out of place on a nina simone record. around these rich, faintly jazzy chords, jona builds a thrillingly direct, percussive track which nods to the passion and polish of classic 90s house music. a shuffling snare pattern and a tough, buoyant kickdrum combine with the keys to give the dancefloor a workout it wont forget. this is smart, optimistic stuff from jona, a ready-made soundtrack for hands in the air at late summers parties. >sunset< is a darker but no less seductive affair. its skeleton is a supple, minimalist groove, undercut with a raw, rangy bassline, and topped by tight snares and a steady, sibilant rush of hi-hats.

nicola conte remixes thunderballs “elevated state” in his signature jazz style. while on the flip, ursula 1000 drops an electro breaks remix of “get up with the get down” + an instrumental version.

2008 is going to be the year that joker blows up. hes already been causing a stir with releases such as the recent anthem gully brook lane on soul jazz & last years sell out stuck in the system on earwax as well as remixes for smd i believe & roni size dont hold back (...that frankly, make the originals look weak!). its high time now for joker to unleash his finest works yet on his own brand new bristol based imprint kapsize. kapsize 001 launches with a double aside - both tracks showcase jokers insanely genius production style, a kind of melting pot of influences that take the best elements of neptunes, dirty south & west coast hip hop instrumentals - big !

big one !! soulful & deep house electronica jazz

disco/soul jazz edits of the gap band/angela bofill & gary bartz

>fables and fairytales< is a deep, dark and aggressive cut of acid house from toronto-based producer murr, featuring the voice of rosina. with a vocal chorus that begs a closer listen - to the kind of bassline you’ll be humming hours after the club, this piece of lfo tech-funk brings adonis, kate bush and pal joey into the same room and melts them into one shining pitch black gem. a perfect anthem for a jamming summer night. on the b side, adam marshall stretches the loops and dubs the jazz deep into acidic house and dark techno territory.

deep groovin latin/jazz flavoured house track with female opera vocals!! flip for the jepthe deepstrumental

this track continues with their trademark combination of deep club grooves and great live musicianship as guitarist hideki ikeuchi glides over dj uchikawas driving beats while makoto kuriya adds his inimitable keyboard. in addition to the smooth main mix, rhythm of elements also provide a classic electronic dub for the deeper dance floors, getting techie while firmly rooted in the disco soul heritage. as if that wasnt enough, this 12inch is completed with an incredible cover version of grover washington jrs mr. magic with roe updating this classic to a midtempo soulful jazz burner. dj uchikawa has been a pioneer in japanese dance culture for decades, and is known for representing quality dance music from the classic boogie era to present day deep house scene. he owns the loft club in nagoya, japan. internationally renowned makato kuriya has played with some of the finest jazz musicians of the last century including nathan davis, chuck mangione, billy cobham, donald byrd to name a few. he has recorded numerous albums and performed worldwide. they decided to unite jazz with the electro dance music, and soon after rhythm of elements were created...

colorblind is a project of dj spider and tokyo dj jun matsuoka. influenced by afro-american music in its widest sense, their open-minded dj sets - a cross-over of latin jazz, two-step, soul or deep house - reflect the way they compose.the latin orientated >novo dia< is a deeper shaking bossa combining future funk synths with sweet brazilian vocals. originally released 2003.